By Andreas Huyssen
"One of the main entire and clever postmodern critics of artwork and literature, Huyssen collects right here a sequence of his essays on pomo... " —Village Voice Literary Supplement
"... his paintings continues to be alert to the troublesome dating acquiring among marxisms and poststructuralisms." —American Literary History
"... not easy and astute." —World Literature Today
"Huyssen's level-headed account of this debatable constellation of serious voices brings welcome explanation to today's murky haze of cultural dialogue and proves definitively that observation from the culture of the German Left has an integral position to play in modern criticism." —The German Quarterly
"... we'll definitely have, after interpreting this ebook, a deeper figuring out of the forces that experience led as much as the current and of the chances nonetheless open to us." —Critical Texts
"... a wealthy, multifaceted study." —The Year's paintings in English Studies
Huyssen argues that postmodernism can't be considered as a thorough holiday with the earlier, because it is deeply indebted to that different development in the tradition of modernity—the ancient avant-garde.
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Additional info for After the Great Divide: Modernism, Mass Culture, Postmodernism (Theories of Representation and Difference)
87–106. Tannen, D. (1993) Gender and Conversational Interaction. Oxford: Oxford University Press. Wallace, W. D. (1986) ‘The Admissibility of Expert Testimony on the Discourse Analysis of Recorded Conversations’, University of Florida Law Review, vol. 38(1), pp. 69–115. 2 Whose Voice Is It? Invented and Concealed Dialogue in Written Records of Verbal Evidence Produced by the Police Malcolm Coulthard Introduction One major type of evidence presented by the police at trial is their record of what the accused said.
They were seen, as they climbed up onto the roof, by a woman who was putting her daughter to bed. She called the police, who arrived soon afterwards and surrounded the building. Three unarmed officers, two in uniform the other in plain clothes, went up onto the roof to arrest the boys. Bentley immediately gave himself up. Craig drew a gun, started shooting and eventually killed a police officer. Bentley was jointly charged with murder, even though he had been under arrest for some considerable time when the officer was shot.
What happened then? I was appalled and felt sick. Apparently, the persuasive effect, or the ‘meta-message’, of the close textual similarity on the court was to reinforce the credibility of both texts, whereas the same phenomenon would have had just the opposite of effect on linguists, 26 Whose Voice Is It? who, very conscious of the uniqueness of utterance, would be very suspicious of such similarity. In arguing against the independent production of the two texts, it was necessary not simply to assert linguists’ views on uniqueness, but also to demonstrate how one text had indeed been derived from the other.